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For more bassoon here is a sample of Stravinsky's Octet. It is from a recording of a concert at Cal State University, Fullerton in 1965. The musicians on the recording are George Adams and I on bassoons and the late Christie Lundquist on clarinet.
George and I were both students of the late Frederick Moritz during the same period. Mr. Moritz, principal bassoon of the Los Angeles Philharmonic for 47 years, was renowned for his many innovations on bassoon. These included his style of "clean" playing.
Clean playing means no cracking notes. This can happen with a perfect reed, but that seldom occurs. His method emphasized the assiduous use of octave keys and half holes. I've included an exercise within his method in which every student was expected to never produce a cracked note.
If you are a bassoonist visiting this page or an admirer of the bassoon (and how could you not be?) you must visit this site:
